ten [CONIO]mandments...

***this one is also taken from heyna's blog...hahaha!

this post is really funny! enjoy reading!


1. Thou shall make gamit "make+pandiwa".

ex. "Let's make pasok na to our class!"
"Wait lang! I'm making kain pa!"
"Come on na, we can't make hintay anymore! It's in Andrew pa, you know?"

2. Thou shall make kalat "noh", "diba" and "eh" in your pangungusap.

ex. "I don't like to make lakad in the baha nga, no? Eh diba it's like, so eew, diba?"
"What ba: stop nga being maarte noh?"
"Eh as if you want naman also, diba?"

3. When making describe a whatever, always say "It's SO pang-uri!"

ex. "It's so malaki, you know, and so mainit!"
"I know right? So sarap nga, eh!"
"You're making me inggit naman.. I'll make bili nga my own burger."

4. When you are lalaki, make parang punctuation "dude", 'tsong" or "pare"

ex. "Dude, ENGANAL is so hirap, pare."
"I know, tsong, I got bagsak nga in quiz one, eh"

5. Thou shall know you know? I know right!

ex. "My bag is so bigat today, you know"
"I know, right! We have to make dala pa kasi the jumbo Physics book eh!"

6. Make gawa the plural of pangngalans like in English or Spanish.

ex. "I have so many tigyawats, oh!"

7. Like, when you can make kaya, always use like. Like, I know right?

ex. "Like, it's so init naman!"
"Yah! The aircon, it's, like sira!"

8. Make yourself feel so galing by translating the last word of your sentence, you know, your pangungusap?

ex. "Kakainis naman in the LRT! How plenty tao, you know, people?"
"It's so tight nga there, eh, you know, masikip?"

9. Make gamit of plenty abbreviations, you know, daglat?"

ex. "Like, OMG! It's like traffic sa LRT"
"I know right? It's so kaka!"
"Kaka?"
"Kakaasar!"

10. Make gamit the pinakamaarte voice and pronunciation you have para full effect!

ex. "I'm, like, making aral at the Arrhneo!"
"Me naman, I'm from Lazzahl!"


You might be a musician if...


Your phone is unplugged for 2 hours or more a day so you can practice.

You are more worried about breaking a finger than breaking a leg.

Bach is not just a funny sound you can make in your throat.

When practicing chromatic scales becomes more fun then bowling.

You spend more money on books, instrument supplies, private lessons, and classes then rent, food, and bills combined and, you have more then one job to pay for everything..

You dream about little sharps attacking flats and whole notes falling in love with quarter notes.

Playing the Flight of the Bumblebee is as easy as reciting the alphabet.

You know that normally The Flight of the Bumblebee is not that easy of a piece.

The thought of taking a break, if only for a week, sounds crazy and suicidal.

You listen to PDQ Bach and get all of the jokes.

That irritating song that's been running through your head for two weeks is by Mozart.

That irritating song that's been running through your head for two weeks is from "Wozzeck" by Webern.

Your notice you are drumming your fingers on the table to the rhythm of the classical music being played at the restaurant.

You walk down the hall singing the bass line to Beethoven's 7th and you wonder why people look at funny.

You might be a musician if you consider Stravinsky's "Rite of Spring" marchable.

You prefer playing your instrument rather than having sex.

You know and can recite all the musician jokes and derivitives in score order!

Getting the sniffles is a true catastrophy.

You walk around conducting the Verdi Requiem, Dvorak Requiem, Bruckner e-minor Mass, Beethoven 7, etc., and wonder why people are looking at you funny.

You can roughly translate any Latin text, but you've never taken a Latin class.

Your co-workers can tell what you are listening to on your headphones by the way you are typing.

You're willing to shell out $16 for a score to 4'33".

You know what 4'33" is.

You know Tchaikovsky' s full name AND all its spellings.

You have played more instruments than the average person can name.

You own more in sheet music than in CDs

You can define the difference between a sonata and a concerto.

You know 101 jokes involving either violas, French horns, or percussionists.

You know any jokes about players of any other specific instruments.

You took more semesters of foreign languages that you hardly ever use than English.

You have expelled more hot air than your average politician.

You actually cheered on the marching band in high school.

You have ever played anything by Bela Bartok.

You had carpal tunnel before computers became popular, or have injured yourself more times sitting down than standing up.

Team IMS 2.0

After a series of events that occured these past few months (i.e. Heynah resigned from the office, Michelle, Ryan and Jayson transfered here in USAP Manila, former boss RC transferred in affiliate marketing department, Jody also transferred in user experience department, Boris appointed as the new senior IMS, Guia-chan was transferred to Jj's team and I was transfered to Renren's team) here is the new (and improved...)

Team IMS 2.0!

Featuring the new (and notorious) bosses..


Boris, Vinny, Nee-chan, Lolo Ren and Kiko-chan (ung nakaupo!)

~*~*~*~

Team Palo (aka Team Renren)


Yancy Gay, Model Mich, Lolo Ren, Tala-chan and Oli Oli

~*~*~*~

Team Anime (aka Team JJ)


Ryan, Rhea, Nee-chan, Guia-chan and Paolo (10 months pregnant, lol!)

~*~*~*~

Team Payaso/Emo (aka Team Vins)


Raffy, Gha, Emo Vins, Aber and Payasong Renwick

~*~*~*~

Team Bo (as in Boris)
(the all boys team, boys nga ba?!hahahah!)


Gumar, Boris, Ruby (in pic), Elmer and Jayson

Here's the rest of the class pic in here! enjoy!

The sacrament of waiting...

***taken from Heyna's blog... :)

The Sacrament of Waiting
by Fr. James Donelan, S.J.



The English poet John Milton once wrote that those who serve stand and wait. I think I would go further and say that those who wait render the highest form of service. Waiting requires more discipline, more self-control and emotional maturity, more unshakeable faith in our cause, more unwavering hope in the future, more sustaining love in our hearts than all the great deeds of derring-do that go by the name of action.





Waiting is a mystery—a natural sacrament of life. There is a meaning
hidden in all the times we have to wait. It must be an important mystery because there is so much waiting in our lives.

Everyday is filled with those little moments of waiting—testing our patience and our nerves, schooling us in our self-control—pasensya na lang. We wait for meals to be served, for a letter to arrive, for a friend, concerts and circuses. Our airline terminals, railway stations, and bus depots are temples of waiting filled with men and women who wait in joy for the arrival of a loved one—or wait in sadness to say goodbye and to give that last wave of hand. We wait for birthdays and vacations; we wait for Christmas. We wait for spring to come or autumn—for the rains to begin or stop.

And we wait for ourselves to grow from childhood to maturity. We wait for those inner voices that tell us when we are ready for the next step. We wait for graduation, for our first job, our first promotion. We wait for success, and recognition. We wait to grow up—to reach the stage where we make our own decision.

We cannot remove this waiting from our lives. It is part of the tapestry of living—the fabric in which the threads are woven that tell the story of our lives.

Yet the current philosophies would have us forget the need to wait. “Grab all the gusto you can get.” So reads one of America’s great beer advertisements—Get it now. Instant pleasure—instant transcendence. Don’t wait for anything. Life is short—eat, drink and be merry for tomorrow you’ll die. And so they rationalize us into accepting unlicensed and irresponsible freedom—premarital sex and extramarital affairs—they warn against attachment and commitment, against expecting anything of anybody, or allowing them to expect anything of us, against vows and promises, against duty and responsibility, against dropping any anchors in the currents of our life that will cause us to hold and to wait.

This may be the correct prescription for pleasure—but even that is fleeting and doubtful. What was it Shakespeare said about the mad pursuit of pleasure? “Past reason hunted, and once had, past reason hated.” Now if we wish to be real human beings, spirit as well as flesh, souls as well as heart, we have to learn to love someone else other than ourselves.

For most of all waiting means waiting for someone else. It is a mystery brushing by our face everyday like stray wind or a leaf falling from a tree. Anyone who has ever loved knows how much waiting goes into it, how much waiting is important for love to grow, to flourish through a lifetime.

Why is this so? Why can’t we have love right now—two years, three years, five years—and seemingly waste so much time? You might as well ask why a tree should take so long to bear fruit, the seed to flower, carbon to change into a diamond.

There is no simple answer, no more than there is to life’s demands: having to say goodbye to someone you love because either you or they have already made other commitments, or because they have to grow and find the meaning of their own lives, having yourself to leave home and loved ones to find your path. Goodbyes, like waiting, are also sacraments of our lives.

All we know is that growth—the budding, the flowering of love needs patient waiting. We have to give each other time to grow. There is no way we can make someone else truly love us or we love them, except through time. So we give each other that mysterious gift of waiting—of being present without making demands or asking rewards. There is nothing harder to do than this. It tests the depth and sincerity of our love. But there is life in the gift we give.

So lovers wait for each other until they can see things the same way, or let each other freely see things in quite different ways. What do we lose when lovers hurt each other and cannot regain the balance and intimacy of the way they were? They have to wait—in silence—but still be present to each other until the pain subsides to an ache and then only a memory, and the threads of the tapestry can be woven together again in a single love story.

What do we lose when we refuse to wait? When we try to find short cuts through life, when we try to incubate love and rush blindly and foolishly into a commitment we are neither mature nor responsible enough to assume? We lose the hope of ever truly loving or being loved. Think of all the great love stories of history and literature. Isn’t it of their very essence that they are filled with the strange but common mystery—that waiting is part of the substance, the basic fabric—against which the story of that true love is written?

How can we ever find either life or love if we are too impatient to wait for it?

UAAP Season 71 2nd round schedule

August 7 - Araneta Coliseum
2 PM - NU vs UP
4 PM - DLSU vs UE

August 9 - Philsports Arena
2 PM - ADU vs UST
4 PM - ADMU vs FEU

August 10 - Philsports Arena
2 PM - UE vs NU
4 PM - UP vs DLSU

August 14 - Philsports Arena
2 PM - FEU vs ADU
4 PM - UST vs ADMU

August 16 - Araneta Coliseum
2 PM - ADU vs UP
4 PM - DLSU vs FEU

August 17 - Araneta Coliseum
2 PM - NU vs UST
4 PM - ADMU vs UE

August 21 - Araneta Coliseum
2 PM - FEU vs NU
4 PM - UE vs UST

August 23 - Philsports Arena
2 PM - NU vs DLSU
4 PM - UST vs FEU

August 24 - Philsports Arena
2 PM - ADMU vs ADU
4 PM - UP vs UE

August 28 - Philsports Arena
2 PM - DLSU vs ADU
4 PM - UP vs ADMU

August 30 - Araneta Coliseum
2 PM - UE vs ADU
4 PM - UST vs DLSU

August 31 - Araneta Coliseum
2 PM - ADMU vs NU
4 PM - FEU vs UP

September 4 - Araneta Coliseum
2 PM - NU vs ADU
4 PM - UE vs FEU

September 6 - Araneta Coliseum
2 PM - UP vs UST
4 PM - DLSU vs ADMU

September 7 - Cheerdance Competition